As I’ve previously mentioned, the August art journal session at The Studio is all about ‘tints, tones and shades’. Playing with light and shade on a page helps give depth and interest to the piece. Here, playing with the properties of distress ink and distress oxide provides the opportunity to get every shade of the same colour. The use of water also helps with the lighter tones.
Continue reading I’ve previously made a ‘book’, to hold various ephemera, as a leaving present for the minister of my previous church. So when it came to putting together another bespoke binder for prayer flags, a photo book and collected digital photos, I built on my previous project and created a faux leather effect ‘book’.
The ‘book’ is just about the size of a sheet of A4 and about 1½” deep. Constructed from 2mm greyboard and 5mm foamcore board, the canvas cover is painted with a mix of rose madder and burnt sienna acrylic paints to resemble worn leather. The spine text is pressed in with an embossing tool to give an impression of embossed foiling, whilst the frontplate uses careful shading to achieve the same effect.
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I’m having a go at catching up with some of my art journal online challenges and classes I’ve been neglecting for a few weeks (actually probably months). I’ve caught up with the Wanderlust One Collage Challenge, but part of the deal with that is that I can’t show you it until the last stage at the end of the year. But I have been taking pictures of each stage, so it’ll be worth waiting for!
Then I moved onto May’s Pick A Stick Challenge – ten prompts drawn at random and completed in order. I pulled out the very first journal I started way back in 2011 and found a background to work on – oh how my art journaling has developed! Continue reading
I decided yesterday that I would catch up with some of the Wanderlust 2016 class activities, and watched Birgit Koopsen’s class as she demonstrated her signature style. This is my response to the fifth journal prompt from the beginning of March (‘what I see in the mirror’) using her techniques, albeit in a slightly different order! And it’s probably more of a reminder of what I should be seeing in the mirror rather than what I do… Anyhow, I wanted the background to show through the white layer (given I’d spent so long working on it!), so used I used thinned gesso for its translucency. I think the colours certainly zing against the white mask.
I wanted to get some practice with some crackle medium, so I got out the DecoArt Americana Weathered Wood and applied it over a black gesso ground. Once that had dried, I added acrylic paint and gesso over the top, dry brushing one into another. Once the cracking had finished, I blended the colours a little more using some of the pink on a wet wipe and moving it up into the white. I dried that and then sealed the crackle with DecoArt Ultra Matte Varnish. Then out came the Pitt Artist Pens for the knots, board joins and the text, all of which were sanded back slightly to age. The quote, by the way, was chosen once I’d done the cracked paint – I thought it was quite apt 🙂