Well after a flurry of activity over the last two weeks watching my new studio get installed, and then decorating it, constructing furniture and moving in – as well as emptying out and putting back to right the dining room, conservatory and some of the craft room – I have my first ‘working’ day in the studio.
Of the various things I have to catch up with, college work is one priority as I have a mid-way assessment tomorrow. Consequently, I have taken pics of my latest light shade in my series. This one features one of the patterns I gleaned from a visit to the Islamic artefacts at the British Museum, drawn into Illustrator, adapted for the round and then screenprinted in opaque white ink onto thick tracing paper, and then constructed onto a card frame. As with the previous post, here are photos of the shade in daylight, and internally lit at night.
I’ve taken a bit of time out from designing for my college course to make this canvas featuring a paper craft vase and paper craft, die cut, hand coloured and constructed flowers. I’ll be entering it into Tim Holtz’s Tattered Floral Challenge as it is his Tattered Floral die that I used to cut the flowers from 160gsm thin card. The vase is made from the same card to my own design – SVG file available if anyone would like it…
Each flower layer was wrinkle free distressed in first a layer of Fired Brick and Festive Berries both sides, dried and then wrinkle free distressed in a layer of Fired Brick with Ripe Persimmon. They were then dried before being spritzed and flicked with water and left to dry naturally. The centres were punched and then sprayed with Dylusions Granite spray. The flowers were assembled onto florists wire and stuck together with matt multi medium and left to dry over night before being glued into the vase and onto the canvas background.
Here’s the inspiration pic, a vase of flowers in our lounge:
Me again – I’ve survived a three day stint demonstrating and teaching at the NEC Hobbycraft exhibition, and it’s back to college and catch up time! Last week we were set loose to develop our own style in our drawing lessons, and I’ve returned to making repeating patterns from elements of my bead collection. Each of these patterns are A4 in size, in my sketchbook, and have been painted with black acrylic ink. They are all based on the same shapes which I have cut out from a preceding pattern, rearranged and then traced onto the page before block colouring. They’re not tangle patterns… but you could still use them in your zentangles…
I’ve just posted my latest WOW! Embossing Powder project over at the design team blog. I learnt quite a lot about embossing powder onto glass! Follow the link to also learn how I managed to take a photo of a mirror without being in it…
Hi – this morning has been spent on a commission. I have been asked to wear something I have made using WOW! Embossing Powder when I’m demonstrating at the NEC next week [Hobbycrafts Exhibition, stand M12-15]. Though I didn’t immediately dismiss necklace or earrings, I didn’t think I’d enjoy the ear lobe crushing of a clip on, and necklaces just dangle in the melt pot… So I came up with two ‘man bracelets’:
Both bracelets are made from grungepaper coloured with Vintage Photo and Walnut Stain distress inks, embossed using Tim Holtz texture fades embossing folders, stuck down with Studio matte multi medium. Sewing reinforces the whole thing and the fastening is a Tim Holtz copper hitch. Bracelet 1 features the new WOW! Special Edition Embossing Glitters (Caribbean Jewels) due to be launched at the NEC. Bracelet 2 (The Other Wrist) features the WOW! metallic embossing powders. Grungeboard would work as well, but I didn’t have a size that wrapped round my wrist!
I’m finally allowed to reveal one of the brand new line up of WOW! Embossing Powder stamps making their debut at the Hobbycrafts Exhibition at the NEC, Birmingham from 8th November 2012.
It’s called ‘NB Canvas’ – and it’s my design 🙂
This versatile frayed fabric stamp will be great for inked backgrounds, but obviously works far far better with a layer of embossing powder to give really tactile texture and a fabric feel to your projects. It’s roughly A6 size, so will work well on cards and scrapbooking as well as altered art projects and why not – even fabrics!
It’s not available in stores yet – as I said, it will debut at the NEC show – but snap one up as soon as you see it!
In a previous post you saw my aluminium and perspex necklace, bracelet and earring set. I also designed a second (bonus) piece using the offcuts from the perspex rings, and finished it today:
I’ve added silver wire tangles to the perspex rings. Each of the flowers were hand sawn from sheet aluminium and hammered into shape before being riveted onto the centre offcuts from the laser cut perspex rings. I’m planning to do two more flowers in the session tomorrow to complete a pair of matching earrings.
And I think I’m getting better at product photography! Rather pleased with the serendipitous lighting on this one – early morning in the conservatory with a bit of level tweaking in Photoshop. No artificial lights were used in the production of this image.