It’s been so long since I made any chain maille jewellery that it’s the first time I have written about it on this ‘ere blog. I bought a kit while in Canada – must have caught my eye whilst shopping for other crafty bits in Vancouver – which has languished on my shelves ever since. Today I decided to tackle it… and remembered why my interest in maille-work waned!
I’ve had a bit of a creative funk recently – I had little direction to work in and consequently, things have been a little quiet in the Studio. That changed this week with my application for a large local Christmas Fayre being successful. I know, I know, it’s only April and I’ve started on Christmas prep – but that’s how competitive getting a table was since the invites came out in March.
So, the laser cutter has been blazing away with a couple of new designs. The first uses a disc designed to be a wooden earring. At 5cm diameter, it seems to be a little large for that, but I thought it would complement my other wooden tree decorations. A quick bit of design and hanging an amethyst coloured heart bead created this:
The trickiest part is hanging the heart. This was originally planned to be a star, but I didn’t have any suitable beads to hand – I think the heart works just as well.
I was once asked by a therapist if I could just ‘sit and be’. Back then, it was a concept that made no more sense than someone speaking double dutch. Nowadays, I have come to learn that it is at least something I’d like to aspire to, and am beginning to understand how to. To that end, I have spent some of today in the ‘now’ of creativity, converting the side panels of an old caravan belonging to my grandfather into this decorative all-weather wind chime:
The aluminium came from the caravan panels, and was coated with tar on one side and a thick layer of oxidation and algae on the other.
I used tin snips to cut out my discs, and a piercing saw to cut out the middle sections as well as the individual hanging shapes. A rub back with steel wool and turps, then a beating with a ball pein hammer before punching the text in gives the texture. I used Silks Acrylic to fill the text and add a splash of colour.
The texts are various reminders about taking time out to be still – for me, the reminders are still very much needed!
This project for Jones Crafts shows the versatility of scrapbooking papers – why do a 12×12″ layout when you can make wearable art? Combine with Jones’ buttons and perfect jewellery sets can easily be made. Mount your pieces in the Kaisercraft large jewellery organiser and your wearable art becomes a home decor piece in it’s own right. The paper beads are splash proof thanks to the varnish, are tough due to the lamination, but are not water proof and will be damaged if soaked.
This is my final project as a member of the WOW! Embossing Powder Design Team. This family project published today, here, features my great great grandfather and his eight children. I’m in a black and white phase at the minute, and wondered if the whole frame looked a little funereal, but then others have said it’s quite gothic and in keeping with the end of the Victorian era. I’ll go with that 😉
Hi – this morning has been spent on a commission. I have been asked to wear something I have made using WOW! Embossing Powder when I’m demonstrating at the NEC next week [Hobbycrafts Exhibition, stand M12-15]. Though I didn’t immediately dismiss necklace or earrings, I didn’t think I’d enjoy the ear lobe crushing of a clip on, and necklaces just dangle in the melt pot… So I came up with two ‘man bracelets’:
Both bracelets are made from grungepaper coloured with Vintage Photo and Walnut Stain distress inks, embossed using Tim Holtz texture fades embossing folders, stuck down with Studio matte multi medium. Sewing reinforces the whole thing and the fastening is a Tim Holtz copper hitch. Bracelet 1 features the new WOW! Special Edition Embossing Glitters (Caribbean Jewels) due to be launched at the NEC. Bracelet 2 (The Other Wrist) features the WOW! metallic embossing powders. Grungeboard would work as well, but I didn’t have a size that wrapped round my wrist!
In a previous post you saw my aluminium and perspex necklace, bracelet and earring set. I also designed a second (bonus) piece using the offcuts from the perspex rings, and finished it today:
I’ve added silver wire tangles to the perspex rings. Each of the flowers were hand sawn from sheet aluminium and hammered into shape before being riveted onto the centre offcuts from the laser cut perspex rings. I’m planning to do two more flowers in the session tomorrow to complete a pair of matching earrings.
And I think I’m getting better at product photography! Rather pleased with the serendipitous lighting on this one – early morning in the conservatory with a bit of level tweaking in Photoshop. No artificial lights were used in the production of this image.
We’ve spent the last five weeks learning about the various ways of soldering (butt and sweat), cold joining with rivets, surface design (heat colouring, mill impressions, hammering) and playing with a laser cutter (I want one!). This week over five hours of lesson time, it was our time to make our own design – this is what I came up with:
Each of the metal discs were cut by hand from aluminium sheet, hammered to give texture, and wire brushed to make matte. I designed the acrylic flowers and circles to scale in Adobe Illustrator and these were cut from 3mm acrylic sheet on the laser cutter. They are attached to the aluminium discs using 2mm chenier tube rivets – several had to be done again as I was a little heavy handed at the beginning and cracked the acrylic. Links are commercial jump rings, as is the chain – time pressures didn’t allow me to make my own. Not that I’d know where to start making chain! I’m really pleased with the result, and aside from the laser cutting, all the techniques are feasible in a home studio.
This is a beginner’s kit from Bojangle Beads in Loughborough, which is quite an Aladdin’s Cave if you happen to be in the area. I bought it at Christmas, but it’s been languishing unmade since then, and in a spurt of creativity yesterday I got it done 🙂
The kit contains all you need (apart from pliers) including plenty of beads, and the coil section is ready made. There are instructions included, though these need editing, don’t contain any illustrations, and aren’t all that intuitive for a first timer to follow.
And I’m having fun with my new camera trying out all the different ways to photograph products! Seems shiny things, as I’ve discovered before, can be quite tricky, but dialling down the auto-exposure has helped a lot 🙂
Following an enquiry from my sister, I tried making a beaded poppy. Still not sure exactly why she wants one, but I was sufficiently motivated to have a go.
I did this freestyle in brick stitch, making the first petal shape up as I went along. The other four were approximate matches to the first. The centre is meant to be a circular brick stitch, but didn’t quite work out that way, but does the job nicely. There’s something not quite right about it, and I suspect it’s the shape of the petals and the overall flower. A bit more work needed, but a good enough first go at brick stitch, and also a 3D beaded project. The whole thing is about 8cm diameter and each petal has a self-supporting gentle curve to it.
