A different colour scheme this week at AAA Cards challenge blog. We’ve gone for the fairly classic black, white and gold. The prompt guide photo has baubles, and I have also gone with a Christmas theme, but any subject matter is allowed as long as the colours are stuck to it and it is a clean and simple design. Here’s my design team card:
I’ve had a few problems with my laser cutter over the last six weeks or so… One of the cables was causing intermittent faults. The presumption was that after four years of use, it was gradually fracturing. I managed to keep the machine limping on until I replaced the cable this week. As a result, I’ve had to feed projects into the machine through a slot so that the lid was barely lifted – an interesting exercise.
It would have been fine if I had not been asked to do several projects in those weeks. A small group craft session for church folk, the ‘Be Still’ evening and a large group craft session for my church’s retired men’s group. All of these needed kitting out with laser-cut items.
Here are the projects I designed and crafted for the small group and the men’s group. They feature crosses for the Easter season. Both are available as workshops at the Studio for groups of up to eight people. To book, just get in contact with me.
It’s another challenge over at the clean and simple challenge blog, Less is More. This time, we’re invited to make our projects on the theme of ‘outdoors’. There were many choices within my (extensive) stash, but since I am working in watercolour in an online course I am following, this stamp stood out…
For the unfamiliar, a sketch challenge starts with a block drawing which you then adapt with added elements to make your card. Over at Less is More, the clean and simple card challenge blog, we have set sketch 26. Here are two cards based on the sketch.
Back when I was a Craftwork Cards design team member, I came up with a dress form for a papier-mâché torso and it sort of became my trademark make. When thinking of a final project to finish off my decoupage papers, it came to mind to make another, and what better design to use than the Modern Floral?
The dress follows the template available for purchase here. Unfortunately, the torso I use is no longer available from Creativ Company, but may be available elsewhere. I recommend using patterned paper rather than decoupage paper which was a little fragile for all the proper folding.
First Edition Deco Maché Modern Floral decoupage paper is available from Craft Stash.
Often, it’s the designing that takes the longest time to do when working on a new project. In this case, it was researching the Scottish Gaelic text for the first notebook, making sure what I wanted it to say really was ‘right’. The notebook has laser cut birch plywood front and back, 1.5mm thick. The Celtic knot is cut out and has a red page behind which isn’t very obvious in the pic. You’ll have to take my word for it that it is a rather effective technique. The text is quite heavily engraved which gives a dark burn that won’t rub off.
The second notebook builds on my A7 notebooks and features one of my hand-drawn mandalas. This took a fair while to engrave as I used a 340 lines per inch resolution for a crisp image.
These are A7 kraft covered notebooks with laser-etched designs using my own mandalas. It took a little experimentation to get the right settings dialled in, so the gold covered one is a bit of a botch. I engraved it with too low a setting, so there was a small etch, but no colour. I painted it with gold acrylic, dried it and then tried all sorts of techniques to colour the etched areas only. There was scraped acrylic paint (messy and didn’t stay put), antiquing cream (the same) and finally, I went back to a golden oldie which I haven’t used in a long while – tar/bitumen. This settled nicely in the grooves (though not entirely uniformly) and polished off the top surfaces. I like the aged look.
As regular readers may remember, I’m going to be artist-in-residence at this year’s inaugural Bishop’s School of Prayer, 9th-13th May at Launde Abbey in Leicestershire. There are three full days, the afternoons of which will feature workshops led by the day’s teachers, myself and the musician-in-residence. I’ve been prepping some potential workshop projects, and here are a couple of experiments that have made the grade:
There are still spaces available for the course, with both residential spaces and day passes. I do hope you will join Bishop Martyn and the other teachers and leaders for what is essentially a three-day conference on prayer.
No, you haven’t missed seven previous instalments – this is the first of nine blocks that I’ve tackled for a new memory quilt. I wanted to make a quilt as a ‘souvenir’ of our trip to the USA over Christmas – in addition to my travel journal which is yet to be finished…
We chose the fabric whilst away, in a lovely quilting shop, Stowe Fabric & Yarn, in Stowe, Vermont, and once I got home and had five minutes to myself, I started designing. It’s the first quilt I have made that uses appliqué techniques – and I’m going to need a bit more practice on my satin stitches I think. The quilt is going to feature nine appliqué panels, and here’s the first. No guesses as to which tourist venue this panel refers to…
It has been 18 months in the making. Well, may be a couple of weeks in the actual making, but with lots of gaps! This is my first (and possibly last) double wedding ring quilt, made as a wedding gift to good friends. I missed the wedding deadline, and their first anniversary, but managed to get it finished for Christmas.
