This month’s theme for the last art journal session of the year is ‘Christmas NBU’. A long while ago, I suggested the tag #nbu for ‘never been used’. I’m not sure it caught on… So this wintery layout uses items that have not been used yet alongside other bits and bobs that came to hand:
This month’s theme is ‘archival inks’. I’ve just counted how many pads I have, and excluding the mini-Distress pads, I have 62 colours! Many haven’t been used for some time but are still in perfectly usable condition, which is great. It seemed time for them to shine and here’s what I did with them… I’ve worked on translucent Dura-lar on pages from my experimental ‘see-through-page’ journal (which I don’t seem to have posted about before…).
This month’s art journal session, “a tale of two halves”, required a little playing to pull together. It became a lesson in contrasts: complementary colours, techniques and reflectivity from varnishes and mica.
This evening we are playing with all sorts of watersolubles for our Art Journal Session. I’ve raided my stash for media that we don’t use often in the sessions, with pencils, paints, crayons and gelatos on the menu. The session is all about experimentation and the different ways the water interacts with the pigments on the page. We’re adding some stamping and hand-drawn embellishments to adorn the page:
I unpacked a box of ancient washi tape rolls for this evening’s art journaling session and eventually got them all to unpeel without tearing. We used them to build background collages in black and white and colour, and layered them for maximum contrast in this finished layout:
Today’s Art Journaling Session at the Studio revisited working on aluminium foil. Last time, we used thinned acrylic paints to cover the foil with multilayer colour. This time, we played with alcohol inks. The inks are designed to stick to shiny surfaces and really pop against the reflective metallic background. There are various ways to add depth and texture, take ink off and add other inks on to make a very shiny and interesting collaged background for a suitable saying. I’ve included making notes below, along with a video of the techniques.
Next week’s Art Journal Session at The Studio will still take place on Monday (6th May) at 7:30pm, despite it being a bank holiday. We’ll learn about PanPastels and use them with rubber stamps to create our spreads. There’s no online tutorial this month as capturing the techniques is tricky as a step-by-step (and I didn’t have a chance to do a video), so you’ll have to book in and come and try for yourself! Here’s my sample page:
This evening’s session was all sparkly with gold leaf dust! We spent our time working on a colour theme of pink, turquoise and gold, throwing in some dry embossing and distress oxides along the way. The main focus was on techniques for layering acrylic paint to build a background and the incorporation of imitation gold leaf for a very shiny bit of bling:
As I post, we’re having fun with thermoplastic memory foam here at The Studio. I have some heat mouldable foam blocks that once warmed with a heat tool and then pressed onto a textured surface will retain the texture once cool until they’re reheated. Using water-based inks, you can use the stamps to print a background in your art journal before a quick wipe clean and repeat the process with a new texture. I’ve got out all my pre-printed die-cut ephemera for a bit of decoration and came up with this sample layout to inspire attendees at the monthly art journal session:
Welcome to the first art journaling post of the new year! February’s session was based on a technique I picked up from somewhere years ago that I remembered using when I was on the WOW! Embossing Powders design team. I found my original post here, from 2012! It uses Brasso metal polish wadding and heat embossing to create an effect that is hard to replicate any other way. I remembered to take step-by-step photos as I created the layout, so another tutorial follows…
