Twelve Tags for 2012 – May


I’ve just finished designing my fifth tag in my Twelve Tags for 2012 series. This one features a distress stain background using techniques I learnt on my recent Tim Holtz’s Creative Chemistry 101 course, as well as air dry clay Lily of the Valley flowers. I love it when a plan comes together – I couldn’t find a stamp that I liked enough, so this was Plan B and I am rather pleased with the outcome, even if I do say so myself! I’ll be demonstrating how to make it and an accompanying card at the Manic Stamper Craft Club on 21st April. Instructions on how to make the tag are now available here.

Spring { petals }

It’s Lucky Dip time over at the ‘Less is More’ challenge, and this time they have set a colour theme based on one of the fabulous Design Seeds schemes:

I decided to make my card with ProMarkers again this time, and picked the closest matches in colour: Cool Grey 2, Grey Green, Meadow Green, Blossom and Rose Pink. Here are three cards that I stamped and coloured using the set colour scheme:

A Record Breaking Month

You are a wonderful lot! This month has been a record breaker here on the blog! I’ve had my highest view rate of an average of 512 hits per day, my highest daily hits of 1062 on 30th March, and a whopping 15876 hits over the month. Thank you, thank you, thank you!

Much of the interest has been around my new Templates downloads, with a massive 3500 views of my Easter Basket Template since I uploaded it at the end of February, with 1080 of you downloading it to date. I guess those hits will be dropping off any day now!

It’s been great to have the interest and support, and please keep coming back and seeing what I’m up to next. By the way – there’s the next milestone at 100,000 hits – I already have a set of six WOW! embossing powders in a handy carry case to give away… what else would you like to win?

Martha Stewart Craft Paints on Ceramic/Glass

I had an ‘interesting’ day yesterday at the fantastic Coleman’s Craft Warehouse Big Demo Day. I was billed to do a make and take with the Martha Stewart Craft Paints on Ceramics, but there was an unexpected influx of young children which resulted in me being asked to lead a children’s party next week! (I declined!)

That said, I’d done plenty of preparation for the make and take and here are pics of my samples. The plates are technique samplers and the text is written with a porcelain marker. All of the samples were baked, and are dishwasher safe – I actually tested this claim before I agreed to promote the paints, and I can absolutely say it does what it says it will do! The paints are more adherent than most acrylics I’ve used, and though water based, the box says not to mix with water – I presume this messes about with the resin technology that makes them multi-surface. You can thin the colour with the glaze product that is in the same range of products, which is how I managed to get the wood grain effect on one of the mugs using a brush. I would recommend applying the paint with a sponge onto non-porous surfaces and you can use a heat gun to make a layer workable, although it is not as stable as if left for an hour or so to dry between coats. The frosted glass effect paint is also applied with a sponge and is one of the most user-friendly frostings I’ve ever come across.

The paint itself is a creamy consistency, dabs on well and has good opacity. It comes in four varieties – a Satin Finish which seems more matte to me, a pearlescent – which is striking, a glitter – which is more of a coloured glitter translucent glaze, and a high gloss. The colour range available is comprehensive and there are various special effect bottles that I haven’t had the opportunity to play with.

I’m particularly impressed with the range of accompanying accessories, including the fine applicator tip that attaches to the bottle (see the high gloss black outlining) and the sponge dabber tips that do the same. Ms Stewart has also included an empty bottle in the pack which is for rinsing out the caps when done with clean water. Clean up is easy – as long as you do it while the paint is still damp. The paint by its nature sticks firmly and to any surface. I found that the stencils retained paint even after cleaning quickly after use, but any dried paint didn’t shift with subsequent applications.

To be honest, I’d probably use other acrylics for painting porous surfaces, but I’d certainly recommend these craft paints for any non-porous surface.

Creative Chemistry 101 – Day 10

It’s a sad day – the last of the lessons at Creative Chemistry. Only the bloopers video to go tomorrow and a few more days on the forums and we say a fond farewell to the Professor. I have a feeling he’ll be back though! It’s been a cracking class and thoroughly enjoyable, although however it’s dressed up, just having a one tag finale was a bit of a damp squib! And the Rock Candy Distress Stickles doesn’t even show up very well on the scan 🙁

The notes on sealing and protecting your work were brilliant though. And if you’re going to be applying Distress Stickles across whole cards or tags, they’d better bring out a bigger pot!

Creative Chemistry 101 – Day 9

So we reach the penultimate teaching day of the fabulous Creative Chemistry, and Professor Tim is working his alchemy with Distress Inks and Perfect Pearls. I’m used to using Perfect Pearls in my own misting mixtures and love the effect of the Blue Patina mixed with Spiced Marmalade – a really nice faux rust finish. Mixing it up even more with the wrinkle free distress technique has resulted in a textural happy accident!

Creative Chemistry 101 – Day 8

Today we looked at a ‘Paint Primer’ – and I discovered a number of Snow Cap dabbers that were solid… and I only have the Rock Candy (clear) Crackle Distress paint. But I persevered and here are my homework tags:

I’m not sure about the acrylic resist on canvas in the centre – it really didn’t work out well, and I suspect I need more contrast on the background to make the yellow and pink dots stand out more. The Shattered Stains technique though is going to  become a favourite!