It’s been a little while since I’ve done a step-by-step for a border pattern, so I thought I’d add to my art nouveau inspired tangle patterns. Use as a corner piece or expand the leaves and tendrils to increase the border length, throwing in the odd flower for interest and break up the lines.
Another tangle pattern, this time drawing on Gothic architecture for the inspiration. The stippling can be either very annoying or very therapeutic depending on what sort of pen you’re using! I recommend a soft tip on a stack of paper if you value peace and quiet, or a hard ballpoint nib straight to the paper on a hard surface if you’re dead set on annoying someone in the vicinity…
This second vaguely festive tangle pattern was fairly tricky to break down. It’s based on an ancient Greek stone carved border with a few adaptations to make the continuous pattern. In step 2, try to keep the lines flowing as you weave in and out round the circles.
Now I have stopped making items for sale at the Christmas Fayre, I’ve turned my relatively idle hands to working out a few more step-by-step tangle patterns. Inspired by various designs, this is the first of several to come. I love how the repeated geometric pattern forms a bauble shape in the negative space – hence the name.
There’s just one day left before the Christmas Fayre (in case I hadn’t mentioned it recently). Though I have more items than I can fit on even a large table, the inspiration hasn’t stopped. I thought I would have a go at some mounted typography, so designed, cut out (ok, the Cameo did that bit), stuck together and mounted these two examples – which happened to be two verses from Sunday’s morning services (see the sermon sketchnote).
Meanwhile, on the other side of the table, I’m finishing off some MDF chalkboards – three down (one featured here), three almost done. The first is covered in old dictionary pages, and aged with a ‘dirty wash’ – a drop of DecoArt Media Raw Umber and a drop of Quinacridone Gold watered down, brushed over and splattered with water before drying and sealing with DecoArt Media Ultra Matte Varnish. The second started with squidged Distress Paints, sprayed with water, then dried and I used DecoArt Media Phthalo Blue as my dirty wash, before glazing with a watered down metallic blue acrylic paint. I then sealed with a gloss varnish with a bit of DecoArt Media Interference Blue mixed in. And the last – I’ve tangled it in Sakura Micron 08 black pigment ink over Dylusions Linen White paint (which when completely dry doesn’t clog the nib), sealed with DecoArt Media Ultra Matte Varnish.
[Disclaimer: as part of the DecoArts Helping Artists Program,
I have been provided with samples of their products to use for projects]
Another church inspired pattern… this time I was playing around with the Christian ‘fish’ symbol whilst trying out different church logo designs. By organising a shoal of the symbols, a pattern can be built up – and you can see that there are possibly quicker ways of drawing the base pattern by the time you see it in step 2. I think the directional lines make this a more complex looking pattern.
This was inspired by the art nouveau tiles in the Royal Arcade in Norwich. I had a play about with the pattern, and once I’d turned it upside down, the name came easily. I think the swags make the hearts look as if they’re dipping into a quilt – adding shading to this one would make quite a difference to the pattern. Note the offset in step two when you’re doing the zigzag lines.
Don’t forget to leave a comment on my book review if you want a chance to win a copy of Suzanne McNeill’s new FloraBunda Style book before it gets in the shops! (Draw closes 18th September 2015).