Art Journal Page: Large Scale Layout

In tonight’s art journal session, we’re going to look at using large scale layouts. Though we will be working in our normal journals (mine is A4 spread), we’ll be using 12×12″ stencils and very large stamps to build our layers, only adding detail towards the end. This exercise is designed to encourage the breaking down of large patterns into manageable chunks… a lesson for life too!

Large format layout

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Art Journal Page: Sew Faux Patchwork

On Monday evening, it’s the monthly art journal session at The Studio. The theme for the session is ‘faux patchwork’, and here’s my sample. Quilting meets paper craft and art journaling.
faux patchworkJust so you know, there is no fabric, padding or indeed cotton/thread on this page. Everything you see is flat and stuck onto the page.
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Art Journals: using acrylic covers

I was on Hochanda this week demonstrating techniques for using the acrylic covers effectively, for the A4 and A6 journals from That’s Crafty!. As always, there is too little time on air to fit in all my ideas, and only just enough time to fit in all I had planned! What follows below are photos and quick explanations of how to do your own. I really need to remember to take step-by-step photos as I make so that I can do a proper tutorial post! First is an unbroadcast cover, then the mirrored cover that didn’t go so right when rushed, and last for this post is the bubbling water effect shown in my first hour.

  • Peel off the protective film from the reverse of the cover
  • Work on the reverse side for all the following steps
  • Place the snowdrop stencil in position and fill in using Posca pens
  • Dry, then place the TIME stencil upside down and sponge through ivory paint
  • Dry, spritz with gold mister, dry
  • Meanwhile, print texture stamps onto large Rizla papers using Chartreuse archival ink
  • Heat set the ink, then using decoupage glue/multi medium glue overlapping layers of the printed papers
  • Once dry, any paper over the edges of the cover can be sanded off

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, add alcohol inks until you are happy with the coloured layer
  • Place the JOURNAL stencil upside down and sponge a layer of Jet Black archival ink through onto the alcohol ink
  • Remove the stencil and then rub away the black in with a clean cloth/kitchen towel
  • Repeat inking steps if you want to remove any more of the alcohol ink
  • Now spritz with a water-based varnish (e.g. Pentart spray varnish) to seal the ink
  • IMPORTANT: allow to fully air dry, do not heat. Repeat varnish layer
  • Spritz with Pentart Mirror Mist and heat dry immediately to stop the mirror mist weakening the varnish beneath
  • Seal the mirror mist with the same varnish and finally apply a layer of black acrylic paint
  • Peel off front film to reveal your results

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, and using the word stencils the wrong way up, sponge your main colour onto the acrylic; heat dry and repeat directly over the top.
  • Next, sponge your shadow colour through the same stencil, slightly offsetting from the first colour
  • For the water effect, first dilute some white gesso/primer
  • Working quickly, cover the whole sheet with a layer of watery paint and then dab isopropyl alcohol into the wet paint – it will push the paint away and start the effect
  • When you are happy with the effect, heat dry in a well ventilated room
  • Repeat with a light shade of blue, and then another darker shade of blue
  • This technique will work over any sealed surface, but does rely on the paint being thinned and still wet
  • Try adding text to the front of the cover as well, this time starting with the shadow colour and working over the top with the main colour

Bonus post

Later this week I will do a separate post explaining my ‘now-you-see-me-now-you-don’t’ technique that was a wee bit rushed at the end of the second show:

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Art Journal Pages: Colours

Regular readers won’t be surprised to learn that I have been spending quite a lot of time making samples and prepping demos for my shows on Hochanda last Friday. It’s one reason that there have been very few blog updates recently, as there’s always a media embargo on sharing things before the shows go out. Now that they’re over though, here is one of the 8×8″ journals I decorated for the occasion.

Each spread uses the Pentart Matt Acrylic Paints in a baby-wipe swiped layer, stamped and stencilled, to give a tone-on-tone effect. Some worked well (purple and orange), others not so well (mentioning no names, green). The fine applicator nib is great for painting outlines and letters, as I demonstrated on air.

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Art Journal Page: ATC Art Gallery

It’s my monthly Art Journal Session on Monday evening, and for this month’s theme we’re tackling ‘ATC art’. I’m not one for making artist trending cards most of the time – for the uninitiated, ATCs are 3½” x 2½” pieces of artwork that are designed to be swapped between crafters – and I thought it was time to revisit the format. I’ve sneaked them into  my art journal timetable, and here’s the sample page. BTW – the frames are one of my first forays into the world of 3D design and printed here in The Studio.

ATC gallery art journal page

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THCC103: Day 5

alcohol ink tags

The last ‘proper’ day of the Creative Chemistry 103, and we were taught several techniques with alcohol inks on Yupo. For those not in the know, alcohol inks are dyes with, well, alcohol as the solvent – makes for fast drying heady crafting! And Yupo is a smooth plastic sheet of polypropylene suitable for all media, but particularly suited to media that play nicer when on non-porous surfaces. Lots of splatting, buffing, stamping, painting and puffing went into these. Great fun!

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THCC103: Day 3

Ok, I’m still not caught up… but this is Day 3’s exercises for Creative Chemistry 103 (CC103)  led by The Professor (Tim Holtz). This particular class was centred on getting texture using the various collage mediums and texture pastes recently introduced to the Distress product line. I don’t have most of these, so substituted various DecoArt products instead and I reckon they do just as good a job!

CC103 Day 3

It’s the first time I have used Distress Crayons, and I have to say I am impressed. Slightly softer than a gelato, the crayon blends beautifully under fingers and into other colours, and the reactivity with water is superb. Glad my spending overruled my scepticism and they were there to use!

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