Commission: Castle Series, no. 6 – Beaumaris

Here’s the last of my six castle paintings – the half-finished Beaumaris Castle. That’s the castle, not the painting that’s half finished… And, of course, the last was the trickiest! There is something to be said for having a good artist’s sketchbook, having the time and patience to use it and then apply what has been learnt onto the canvas. I don’t ‘do art’ quite like that…

Previous paintings in the series:
CaernarfonRaglanCriccieth – Dolwyddelan – Conwy

Beaumaris Castle painting

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Commission: Castle Series, no. 5 – Conwy

With the same immenseness as Caernarfon Castle, Conwy is going to be a good balance in the room. With the suspension bridge, modern meets historical – and was most tricky to paint! 

Previous paintings in the series:
Caernarfon CastleRaglan CastleCriccieth Castle – Dolwyddelan

Conwy Castle painting

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Commission: Castle Series, no. 4 – Dolwyddelan

When I used to holiday near Porthmadog, I joined Cadw – the Welsh Heritage organisation. I then proceeded to overdose on visiting castles – I think the record was 9 in three days. I don’t really know where the fascination started, but it was certainly early in childhood. The bigger, the better in my book… But, as a subject for a painting, Dolwyddelan Castle is pretty much up there, despite being the smallest castle in the series.

Previous paintings in the series: Caernarfon CastleRaglan CastleCriccieth Castle 
Dolwyddelan Castle painting

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Commission: Castle Series, no. 3, Criccieth

I love Criccieth Castle – less as a ruin, but more because of it’s place on the hilly promontory above the village. It gives such a stark silhouette, reflected in the bay.

Previous paintings in the series: Caernarfon CastleRaglan Castle

Criccieth Castle painting

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Commission: Castle Series, no. 2, Raglan

I’ve been painting again today – after I’d potted on my leeks… This time, I’ve gone for Raglan Castle, in Monmouthshire. You might note, in comparison to my painting of Caernarfon Castle yesterday, that the light is coming from the opposite direction. There is method in this madness – the paintings are to hang opposite each other on either side of the room. Thus, the light, and the shadows, will look as if they are from the same direction.

Ok, ok, it was a happy accident that I noticed the above before I started hanging the paintings. Now I will go back to my reference materials and check that the remaining four of the series are split 50/50 in light direction. It was one of those ‘oh no’ moments that turned into ‘well, of course, I meant to do that’ when no one was looking…

Raglan Castle painting

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Commission: Castle Series, no. 1, Caernarfon

I’m having fun in the Studio, actually playing with paints and canvases for a change. It’s also been a little while since I have had any commissions. This is the first in a series of six canvases, each requested to feature a Welsh castle. The main colour of the room is grey, and the accent colour is purple.

I’ve loved the ‘purple twilight’ type photo treatment, and there’s nothing more striking (I think) than a castle’s silhouette. It gives a much more solid appearance, and given most castle’s prominence on the horizon, a real immenseness.

Caernarfon CastleMy first is that of Caernarfon Castle. It took me a couple of tries to get the tonal shades right – my first go didn’t have enough contrast between the grey and black.

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