It was a ‘watersolubles’ theme at Art Journaling last night. In between diagnosing a broken Mac (it was one of the RAM cards that died) and having the car serviced (it was a VW diesel engine…), I grabbed an hour or so to do an inspiration page:
It reminded me that all watersolubles are not created equal, with some water-soluble wax crayons barely moving when wetted, even on watercolour paper, and others wandering off and doing their own thing quite happily. It also is worth noting that, to get best effects, you should gesso or otherwise seal your journal page unless working in a watercolour paper journal.
In the above example, I used the blues on watercolour paper before drying and cutting out the letters on my Silhouette Cameo. The background is a combination of colour and graphite watersolubles over gesso, overprinted with acrylic paint. Handwritten text and outlines finished off the layout.
I started this page layout on Tuesday night as my teaching sample for my ‘Christmas Crackle’ art journal session on 7th November. Building up layers and techniques, I was very happy with the resulting background. I then spent just as many hours searching for the perfect ‘winter’ quote. Eventually I settled on this excerpt from ‘Do not stand at my grave and weep’ attributed to Mary Frye.
It’s no secret that time flies when you’re busy! Lots of prep going on behind the scenes ready for my TV return next week, and a weekend away in the Lakes wasn’t exactly a rest, but it was a lovely break with lovely friends. But back to the here and now, and I’ve rustled up another art journal page. It’s been a while, but I have to make an example for Monday night’s art journal session in The Studio!
The highlights of this page are: brayer layers, and the newly available Molotow Liquid Chrome pens. These are alcohol based markers in various nib widths, and on a smooth surface, they really are impressively flat and mirror like when dry. I’ll let you know if they perform better than Krylon leafing pens after a couple of weeks of non-use. And I’ll let you know when and where you can get them – I’ve been sent samples to play with 🙂
Sometimes I go quiet on here… Regular readers will know that I’m always up to something (holidays are infrequent), and often can’t share my makes until after a ‘press embargo’ has been lifted. Happily, Hochanda seem to be less restrictive than a certain other channel I’ve done work for: keep your eyes peeled for sneaky peeks at the end of the month. Oh, and in passing, if you haven’t found the TV menu option above, that’s where you will find the latest information I have as to when I’m next on your screens.
Back to the point – I thought it would be fun to share a photo of my studio workspace as it appears right now. I’m in the middle of learning new products and prepping samples from which my show demonstrations will be developed. Whoever said that men can’t multi-task? I must be an exception as there are three different projects on the go at the moment – as I am waiting for one to dry, I’m working on the others.
Don’t worry about the naff lighting – that’s done in Photoshop so that I can hide the piles of stuff still waiting for their permanent home. So there’s glass paint, acrylic paint, crackle medium, varnishes, acrylic pieces, MDF pieces, a brayer, brushes and sponges, frost effect paint, Posca pens, scissors, a screwdriver and Gorilla glue, various polymer stamps, archival ink and not nearly enough tea. It does however support the adage that men typically do not clear up after themselves… But by tea time tomorrow, all has to be tidied away for another night of crafting with my studio guests.
It’s been a little while since I posted anything art journal related, what with one thing and another. One thing being completing the Creative Chemistry 103 course – definitely worth the investment. Another being design and installation of a new sand filter for the studio so that I don’t have to empty a stinking waster container prompted only by the stink as it overflows. It’s a simple enough idea – grey water goes into a tank of sand and gravel, filters out the large particulates and then drains out to my irrigation sump ready for watering the garden. No more overflows!
Another another was the creation of a water feature which is just outside the studio. I’d gone to look at the self-contained fountains/water features at our local garden centre, and somewhat astounded by the price tags was asked ‘surely you can do something yourself?’. So with a bit of thought, a quick shopping trip on Amazon, a tube of mastic, and some terracotta pots, a plan came together. Throw in a watering can previously belonging to my grandfather and a personal, upcycled, repurposed water feature now trickles away in counterpoint to the gushing waterfall that has just been installed in a neighbour’s garden.
But, back to the point! It was raining today, so I got to work in my art journal with the intention of putting together the next art journal session samples ready for September. The theme is ‘pockets, flips and flaps’…
I’m continuing my journey into illuminated letters with this layout. The background has languished, completed, in my second ever journal for possibly years, and I’ve been wondering what to do with it. The stencilled motif reminded me of the mediaeval screens, so all I needed to do was find the appropriate phrase to follow my illuminated letter. I can’t quite recall how I got to it, but seem to remember I wanted Latin phrases. This one is associated with, I think, the Catholic tradition and properly means ‘happy fault’. But I’m a crafter, and think it better translates to ‘happy accident’. Which got me thinking, and for the rest of the day I was designing myself a coat of arms. Where do my days go? On flights of fancy!
The next art journal session in The Studio is on Monday, and this morning I’m prepping my samples. We’re going to attempt to create an illuminated letter. I’ve put together instructions for a basic Celtic arched lettering, but this is my take on a more Gothic Celtic style of illuminated lettering.