It was wrap up day on Creative Chemistry 103 some time over the weekend, and I finally got to watch the final video from Tim Holtz. The challenge was to use some of the techniques we’d covered during the week on a different surface. I had bought some of the District Market French Burlap Panels in a sale some time ago, and decided these would be perfect to decorate up for the occasion.
So this is what happens after applying texture paste, embossing powder, Distress Crayons, Distress Stains, clear matte texture paste, stencils, water, baby wipes, gesso, matte multi medium, Distress Reinkers, Distress Glaze and a whole lot of patience and drying time! I love the texture play between the burlap and the scroll work, opacity versus transparency and still amazed at the versatility of the Distress Crayons.
Something about this page reminds me of naff pub decor. For the anaglypta effect, I used the embossing paste through the stencil, let it dry, scumble glazed with the tan colour and then sponged the darker colours through the stencil to catch the raised areas. Napkin decoupage and an image transfer of my own typography completes the layout.
Used on this page:
Frisk LayFlat Sketch Pad (small)
Dutch Doobadoo Stencil: Squares
Royal Talens Amsterdam Standard acrylic paints (24 set)
Another art journal page, completed as my homework for the art journaling sessions I run in The Studio on the first Monday evening of the month.
This month we learnt the technique of image transfer, and I set the homework of using image transfer in a layout. For this piece, I took a background image of the grass, printed it twice at full sheet A4 size on a laser printer and then used matte multi-medium to transfer each sheet to one side of a double spread previously covered in green/turquoise acrylic paint. The acrylic background is helpful in case (as here) the image transfer doesn’t take across the whole page, as well as not moving about with the multi-medium gel.
Once I’d done the transfer, I printed the text using matte white acrylic paint on rubber and foam stamps, and outlined them with a white Signo broad pen once they were dry. Finally, I went round some of the letters with a green coloured pencil to help darken the lighter grass colours to improve the contrast of the letters against the background. Oh, and the pink hue on some of the letters comes from previous inks used on the foam stamps staining the white paint!