Well this layout has taken pretty much all day, aside from occasional breaks to make tea for the landscape gardeners laying my greenhouse base. I had this background waiting for something over the top – in fact since I printed it using this technique in 2011. I’d also blended a thin layer of Dylusions Paint over the top to help seal it. A new set of alphabet stencils also arrived yesterday afternoon, so that’s where the zen started, continued with the hand-drawn flowers (following some of the examples in the FloraBunda book), and then coloured with glazes.
I’m prepping for a presentation on Tuesday (hopefully more news on this later) and have been working on a couple of art journal layouts. I thought I’d play a little more with polystyrene printing and zentangling/Florabunda (above) and elements of stencil and pen work stippling (below). Pretty pleased with the colour choices and how each page turned out.
As well as the journal pages, I’ve also spent some time doing some tangles to fit my lokta paper wallet. I remember how therapeutic tangling can be! Each tile can be done in around 20 minutes (they’re 2 inches square), and quicker if I use a thicker pen 😉
I’ve been asked to review this book by the publishers, Design Originals, and have been provided with a preview copy. Other than that, this review is independent and I haven’t been paid for it.
Florabunda Style is billed as the next generation of zentangle, and the author should know, as she has written more than 200 craft and hobby books including the popular Zentangle series. With the rapid rise in popularity of colouring books for adults, this book seems ideal for those that are looking to create their own illustrations to colour and benefit from the relaxation that that affords.
The FloraBunda aesthetic is based on simple nature inspired doodles. The book is printed on high quality artist paper, and readers are actively encouraged to draw in the book with plenty of white space to practice in around the examples. The paper is of a sufficient quality to decorate with markers, pens, coloured pencils, watercolours and more. As well as providing more than 200 different designs the book also includes a selection of craft projects with step-by-step instructions. The reader is actively encouraged to experiment, have some fun, be eclectic, be whimsical and above all have some fun.
The book opens with a chapter on the various tools that you can use to draw the elements as well as colour them in. The following chapters follow a similar pattern, opening with a preview of all the designs, step-by-step instructions to draw them and examples of finished artwork by other zentangling experts. There’s a basic guide to plant anatomy, and every element of a typical plant is included, including stems, vines, tendrils, flowers and seed heads. There are tips and tricks scattered throughout the text, as well as snippets of encouragement to develop your own style and creativity. The book finishes with both a visual and written index of all the designs and projects. The author has a chatty style of writing, and even if you don’t dare draw in it, the book is well worth the read in it’s own right.