Ok, I’m still not caught up… but this is Day 3’s exercises for Creative Chemistry 103 (CC103) led by The Professor (Tim Holtz). This particular class was centred on getting texture using the various collage mediums and texture pastes recently introduced to the Distress product line. I don’t have most of these, so substituted various DecoArt products instead and I reckon they do just as good a job!
It’s the first time I have used Distress Crayons, and I have to say I am impressed. Slightly softer than a gelato, the crayon blends beautifully under fingers and into other colours, and the reactivity with water is superb. Glad my spending overruled my scepticism and they were there to use!
I thought I’d catch up with a couple of days’ worth of classes today, but, alas, it wasn’t to be. I did however get Day 2 samples done – a few more well used techniques revisited, but a couple of new ones there too. And a note to self, in passing… Always test your mica containing sprays well away from other items in the studio, and clean them before putting them back in the box. That way, there is a fair chance the spray a) mists rather than spurts, and b) actually sprays.
I’ve snuck this creation in between finishing a commissioned art journal, and making the samples for tomorrow’s fabric printing/painting workshop. The Pick A Stick Challenge for the uninitiated is ten techniques or journal prompts pulled at random by one of the four coordinators of the challenge, and you must then create your page using those steps in the order in which they were pulled. This is what I came up with for June’s ten sticks 🙂
I came across this wallet-type 4×6″ journal when I was looking through my Silhouette cut files. I have just been given a pile of kraft card file dividers, and thought they would be a perfect place to start. The mini album design is by Lori Whitlock and available via the Silhouette design store. I’ve added the band for the closure, and rather than six pages, I’ve added five due to the thickness of the card. The journal card inserts are a smidge smaller than 4×6″ and I’ve used a corner rounder so they slide in more easily.
As for the decoration, this journal is a practice piece for one stroke folk art flowers. I watched how a friend’s mother painted her canal boat accessories when I was nine or ten, and the fascination with the way a shaded flower developed with so few brush strokes. These are my first attempts, with a little extra shading added with water-soluble pencils. The backgrounds are a mix of distress paints, whilst the flowers are painted with DecoArt Media fluid acrylics. I’ve edged the journaling cards with Frayed Burlap distress ink – and I’ve no idea at this stage what will go on them! There’s a few more pages to decorate, so stay tuned for updates 🙂
Part of art journaling is using a journal as an experimental area. Today I tried a method of creating weathered wood using paint layers, distress inks and archival inks, and it sparked off an idea for the layout. Somewhat annoyingly, it took longer to find a suitable saying to match my idea than it did to make the page!
As one Studio regular remarked last night: ‘you’re doing a lot of art journal pages recently’… She’d been away for a couple of months and hadn’t heard the news that I’m soon to be demonstrating on Hochanda TV channel. This week’s task is to pull together a supplies list for Sam (one of the channel’s buyers) so she can get some stock sorted and book me in for my first shows.
Last night, at The Studio’s monthly art journal session, we were carving our own stamps and developing patterns. I decided to do one too and carved the inverse of one of the stamps I’d previously done to demo the technique. Here’s the page that developed in between showing a first-timer how to build a background, and of course making the refreshments 😉
This week’s class on Wanderlust (a year long course encouraging art journalers), we’ve been shown how one artist, Kate Crane, creates her own journal to fill in as she travels. Here’s my take on the project. Using two sheets of 12×16″ watercolour paper, I created the concertina pages, incorporating pockets into the overlaps. I’ve chosen to create faux leather straps to hold it together, rather than ribbon, and have made these from Grungeboard. Lots of layered DecoArt Media paints and interference paints over some embossing paste create the cover decoration, and the pages are covered in Distress Paints, DecoArt Media Titan Buff and Quinacridone Gold fluid acrylics and gesso applied through a couple of stencils. Now it’s ready for filling with travel goodness 🙂