I like a challenge… and I like it even more when I get inspiration, have the materials, and more importantly can snatch a moment to get the piece done. So it is with some delight that I share with you my entry to the Ranger Ink ‘Seasonal Color Palette’ Challenge: to create any project using the theme colours based around the Adirondack Color Washes in Butterscotch, Meadow, Espresso and Sailboat Blue. It’s a 12×12 inch canvas:
From concept to final outcome took approximately 3 hours, with only two hours of hands-on crafting. I started by using Adobe Illustrator to produce an outline of the starburst, dove and olive branch, printing it out four times. Each copy was then sprayed with fixative spray to seal it, which stopped the colour wash bleeding through. I cut out the various items to produce stencils – the central outline, the eyes and beak, the branch, and then the starburst ‘prongs’. I used repositionable spray glue to coat the back and adhere the stencil firmly to the canvas before spraying each of the colours on in turn, using a heat tool to dry and heat set between colours. Aside from a bit of overspray and bleed, and a little stencil misalignment, I’m quite pleased with the result. I did a little touching up here and there with some of the Distress Paints, which may be hard to see as they picked up some of the dye layers beneath.
Today we looked at a ‘Paint Primer’ – and I discovered a number of Snow Cap dabbers that were solid… and I only have the Rock Candy (clear) Crackle Distress paint. But I persevered and here are my homework tags:
I’m not sure about the acrylic resist on canvas in the centre – it really didn’t work out well, and I suspect I need more contrast on the background to make the yellow and pink dots stand out more. The Shattered Stains technique though is going to become a favourite!
I’m up early, all excited about my stint at Hobbycrafts at the NEC, Birmingham today and tomorrow on the WOW! Embossing Powders stand. They have just brought out some silicone moulds – come and see the jewellery pieces I’ve made (I’ll pop them on here next week when I have a moment). Also created last night using their new embossed resist card with inspiration from the Creative Chemistry 101 Day Five teaching on Distress Stains comes this little (8x20in) sampler for the show:
I’ve had a bit of a play with my Wow! Embossing Powders whilst waiting on my official design projects to get posted… Here’s what I did today:
As normal, it’s quite tricky to photograph metallic/glossy finishes, but I think you can get the gist. I used a 10x10cm canvas board and layered up Brass, Rich Gold and Ebony powders before adding foliage layers using stamps. A nice prototype to work with 🙂
I’ve got the sewing bug sooo bad! But that’s ok as it justifies getting the new sewing machine 😉
This afternoon I decided to make myself a stained glass window bag to carry all my quilting paraphernalia to and from future workshops. I didn’t have a pattern to follow, and worked it out as I went – there was only one minor glitch along the way fixing the handles, but got that sorted without too much unpicking. I’ve somehow made it reversible, but who’d want to hide the colour side? After three hours ironing, sewing and cogitating, here’s the results:
And I thought I’d made it big enough – but no, it’s an inch too small (16 inches square) after all the folds and seams were a smidge imprecise. The next one should be quicker 🙂
Whilst sorting out the dining room, I had to go under the floorboards and found sections of the Leicester Mail and a Daily Express from Wednesday, 5th May 1937. The country was gearing up for the coronation of King Edward VIII a week later, and it was the day before the Hindenburg disaster. Fascinating reading! And whilst changing the radiator, I scraped off several historical layers of wallpaper. I’ve incorporated both, and the new wallpaper, into three art pieces to adorn the newly painted walls:
Each canvas panel is 12×12 inches, with the centre area painted in the room colour (Dulux Barley White) and edged with quarter inch brass tape from Ranger. The ageing was done with brown Neocolor II wax soluble crayon. Each section of newspaper was scanned and stuck down with matte multi-medium. The same was done with the wallpaper samples. The flowers are cut from the new wallpaper, Sanderson’s ‘Sweet Bay’ (Pattern No. DPFWSW102).