It was a ‘watersolubles’ theme at Art Journaling last night. In between diagnosing a broken Mac (it was one of the RAM cards that died) and having the car serviced (it was a VW diesel engine…), I grabbed an hour or so to do an inspiration page:
It reminded me that all watersolubles are not created equal, with some water-soluble wax crayons barely moving when wetted, even on watercolour paper, and others wandering off and doing their own thing quite happily. It also is worth noting that, to get best effects, you should gesso or otherwise seal your journal page unless working in a watercolour paper journal.
In the above example, I used the blues on watercolour paper before drying and cutting out the letters on my Silhouette Cameo. The background is a combination of colour and graphite watersolubles over gesso, overprinted with acrylic paint. Handwritten text and outlines finished off the layout.
For my next trip abroad, I wanted to make another travel journal. I have previously handmade a small hardback pocket journal and a fold-out accordion journal. This time I decided to make a handmade journal using a piano hinge. This, for the unfamiliar, uses tabs and cylindrical objects (in this case bamboo skewers) to attach the pages at the spine. The benefit for a travel journal is that every other spread is the depth of the bamboo skewer, which means there is plenty of room for additional items of collage and other ephemera, and pockets to store memorabilia. It’s also possible to easily disassemble the book at the hinge to work on individual pages, or remove and add pages as required.
Constructed from canvas textured acrylic paper, I knocked back the white using an off-white chalky finish acrylic paint. I added a darker shade at the base of each page, using the same paint to stencil the building outlines. Overprinting with various travel oriented stamps using archival ink completed the decoration. It seems that the convention for piano hinge books is that the spine is visible, and the skewers extend from the bottom and the top. I wanted a more traditional book appearance as well as a protective cover, so I constructed cover pages before covering them with lokta paper which resembles old leather. A few coats of soft-touch varnish added to that illusion as well as protecting the paper. Adding this type of cover does restrict the addition of further pages. As I intend to use this on the flight as well, I thought it wise to trim the skewers… Some care needs to be taken to keep the pages vertically aligned, but in practice friction seems to keep the posts in place.
It’s no secret that time flies when you’re busy! Lots of prep going on behind the scenes ready for my TV return next week, and a weekend away in the Lakes wasn’t exactly a rest, but it was a lovely break with lovely friends. But back to the here and now, and I’ve rustled up another art journal page. It’s been a while, but I have to make an example for Monday night’s art journal session in The Studio!
The highlights of this page are: brayer layers, and the newly available Molotow Liquid Chrome pens. These are alcohol based markers in various nib widths, and on a smooth surface, they really are impressively flat and mirror like when dry. I’ll let you know if they perform better than Krylon leafing pens after a couple of weeks of non-use. And I’ll let you know when and where you can get them – I’ve been sent samples to play with 🙂
It’s been a little while since I posted anything art journal related, what with one thing and another. One thing being completing the Creative Chemistry 103 course – definitely worth the investment. Another being design and installation of a new sand filter for the studio so that I don’t have to empty a stinking waster container prompted only by the stink as it overflows. It’s a simple enough idea – grey water goes into a tank of sand and gravel, filters out the large particulates and then drains out to my irrigation sump ready for watering the garden. No more overflows!
Another another was the creation of a water feature which is just outside the studio. I’d gone to look at the self-contained fountains/water features at our local garden centre, and somewhat astounded by the price tags was asked ‘surely you can do something yourself?’. So with a bit of thought, a quick shopping trip on Amazon, a tube of mastic, and some terracotta pots, a plan came together. Throw in a watering can previously belonging to my grandfather and a personal, upcycled, repurposed water feature now trickles away in counterpoint to the gushing waterfall that has just been installed in a neighbour’s garden.
But, back to the point! It was raining today, so I got to work in my art journal with the intention of putting together the next art journal session samples ready for September. The theme is ‘pockets, flips and flaps’…
The next art journal session in The Studio is on Monday, and this morning I’m prepping my samples. We’re going to attempt to create an illuminated letter. I’ve put together instructions for a basic Celtic arched lettering, but this is my take on a more Gothic Celtic style of illuminated lettering.
I’m having a go at catching up with some of my art journal online challenges and classes I’ve been neglecting for a few weeks (actually probably months). I’ve caught up with the Wanderlust One Collage Challenge, but part of the deal with that is that I can’t show you it until the last stage at the end of the year. But I have been taking pictures of each stage, so it’ll be worth waiting for!
Then I moved onto May’s Pick A Stick Challenge – ten prompts drawn at random and completed in order. I pulled out the very first journal I started way back in 2011 and found a background to work on – oh how my art journaling has developed! Continue reading →
Tonight’s art journal session theme is ‘one word prompt’. I’ve done two more reflective, emotional one word prompts – ‘tired’ and ‘recurrent’, but wanted to show that the theme could be more frivolous as well.
This started as an acrylic background using various yellow paints and sprays, before whiting out with rough brushed gesso and then detail work with Pitt artist pens and Ergosoft colour pencils and a smidge of Posca pen work.