Whilst some things I am making, that I can’t tell you about yet (but it has something to do with upcoming TV appearances), are drying, I have started to dabble again with doing some art journaling in my NIV journaling bible. I turned to these passages in Isaiah and picked out a couple of verses to concentrate on. Today I had a little experimentation with things to seal the page to prevent bleed through.
For the left side, I used a wiped-on layer of matte multi-medium, heat dried. For the right, I didn’t prep the page at all. Add some pigment inks for background colour, and watch them slide right off the multi-medium… it just has no tooth at all. It did, however, seal the page very nicely and not too much bulk added. I got around it by applying some ink, drying with the heat tool and then reapplying the ink. I sealed the pigment in with a spray fixative before using a Posca pen to add the text.
Last Monday was my regular art journal session at The Studio. We took the theme ‘baby, it’s cold outside’. Coincidentally, it was one of the coldest evenings of the autumn too. The theme called for cool colours, shimmer and sparkle to evoke frost rime on windows and icy surfaces:
I started with layers of gesso, creating ridged fans/feathering by jittering the edge of a palette knife to make the texture. Sprinkle a little Ultramarine Color Burst. Add more layers of gesso and then iridescent medium. Stamp with archival inks before adding the quote. Smear some Stardust stickles over the page and set aside to dry. I think the quote source is fairly obvious and just fits the theme perfectly!
I know I haven’t done the Pick A Stick Challenge for a little while but didn’t realise quite how long ago it was… 2015! I’ve decided to try and do at least one ‘me-project’ each month, and this month was the Pick A Stick art journal challenge. For those that have forgotten the format, ten sticks are chosen at random, each with an instruction as to what to put in or a technique to use. The challenge Facebook group can be found here.
The page ended up darker in tone and emotion that I normally do – the quote was inspired by the raven stencil I used. There are many different things that I would call from the poem, but this is perhaps the darkest. As I was writing it onto the page all I could think of was my road with depression, my ‘black dog’.
My annual pilgrimage to Peterborough Beer Festival this year was on 23rd August. Of course I went to meet up with friends… it’s purely coincidence we had 400 real ales to choose from at the time. While supping such delights, I’ve recorded my tasting notes in my art journal. It looks worse than it is – I was only sampling thirds of a pint of most. It’s also brilliant that the organisers ensure bottles of water are easily available at just 50p per 500ml.
The page uses all the bits and bobs in my journal travel kit. It was a challenge doing the background and lettering on the train from Leicester, particularly over the points when the train rocked a fair amount!
In tonight’s art journal session, we’re going to look at using large scale layouts. Though we will be working in our normal journals (mine is A4 spread), we’ll be using 12×12″ stencils and very large stamps to build our layers, only adding detail towards the end. This exercise is designed to encourage the breaking down of large patterns into manageable chunks… a lesson for life too!
I’m a subscriber to Art Journaling magazine from Stampington, and every now and then a featured article catches my eye. Reading the fine print revealed that this particular journal was based on a mixed media class available online from Donna Downey.
Between TV shows I can normally fit in a couple of weeks for my own projects, subject to other calls on my time. This time round I managed to take some quality art time for myself, signed up for the class and completed my journal.
It’s been a while since I have played with my Gelli mono printing plate, and inspired by the work of Birgit Koopsen and the latest copy of Somerset Studio featuring tag art, I set to. Twenty or so monoprinted tags later, I had the basis of a new art journal – a Gelli Tag Book.
With a quick cardboard cover, book binding tape and a few quotes (and several days later) my journal is complete. Overprinting and underpainting, outlining hand drawn typography create a cohesive whole.