I love the translucency of a thin coat of gesso – pop that over a pointillistic background and I can almost imagine it’s a frosted glass panel. Reversing the stencil direction and moving it into the spaces of the previous colour developed the pattern over a sprayed page. I sealed the Distress Sprays with the solvent based spray varnish – it doesn’t move the water-reactive inks and stabilises them enough to work over them with waterbased media.
For this layout:
Frisk LayFlat Sketch Pad (small)
Ranger/Tim Holtz Distress Sprays
DecoArt Americana Sealer/Finisher Spray: Matte
Royal Talens Amsterdam Standard acrylic paints (24 pack)
It’s getting closer! My television debut is on Friday 3rd June, with live shows at 11am, 1pm and 5pm. I’m delighted to be showcasing DecoArt Media fluid acrylics and various mediums. Sneaky peaks will be up on the Hochanda Facebook page sometime in the next couple of days. It’s been a busy weekend for me as the products for the shows only arrived at The Studio on Friday morning, and promo pictures were requested about an hour later (to which I politely replied along the lines of ‘you must be joking’!). Want to know what The Studio looks like at the moment, with several concurrent projects on the go so that one is drying as I am working on the next?
That’s the sample boards done; two 12×12″ panels; ten different 3D papier mâché letters; at least ten different paint and decoupage techniques; at least ten different mediums and a heck of a lot of demo planning, cups of tea and drying time. Oh by the way, the art journal is for the next shows on Thursday 16th June…
I hope you can join me online, on Sky 663, Freeview 39 or FreeSat 817 or even catch-up up to a week after: Friday 3rd June: 11am, 1pm, 5pm.
I decided yesterday that I would catch up with some of the Wanderlust 2016 class activities, and watched Birgit Koopsen’s class as she demonstrated her signature style. This is my response to the fifth journal prompt from the beginning of March (‘what I see in the mirror’) using her techniques, albeit in a slightly different order! And it’s probably more of a reminder of what I should be seeing in the mirror rather than what I do… Anyhow, I wanted the background to show through the white layer (given I’d spent so long working on it!), so used I used thinned gesso for its translucency. I think the colours certainly zing against the white mask.
Over the last two days I thought I’d construct my own art journals. I’ve adapted a slot-and-tab technique to make the inside pages from 160gsm white card. Each journal is A6 in size. The brown has a grungepaper cover with greyboard support behind, coloured with Vintage Photo and Walnut Stain Distress Sprays and sealed with DecoArt Media Soft Touch Varnish. The grey has a wrap around cover in the same card, decorated with DecoArt Media Fluid Acrylics and with a grungepaper and baker’s twine closure. Now all I have to do is fill them 🙂
I’ve been fascinated with ‘proper’ graffiti since a child – I love the colour, the vibrancy, the illegality of the hobby and the absolute control of the medium and the application. I’ve also owned a ‘how-to’ book for a number of years, well-thumbed but never used. That all changed when I made a journal from corrugated cardboard and once I’d started tearing off the surface layer, the idea developed to make faux rusty corrugated iron complete with requisite graffiti. I’ve tried different styles and colouring methods, starting with Sharpie pens, trying an image transfer, then Pitt Artist Pens. Then I had a sudden thought of how to replicate the aerosol can at this small scale – I got out my LetraJet air brush attachment for my Promarkers and thus smooth blends appeared. Lots of Posca pen use as well to finish things off.
One of my Tuesday night regulars, Hilary, brought amongst a whole stash of other things two sets of greyboard keys and fobs. ‘Can you think of anything you can do with these?’, she asked. This is what I came up and finished this morning.
The key is textured with sand texture paste, and then layered with fluid acrylics following Andy Skinner’s industrial paint recipe I learnt last year. The tag was sealed with black gesso. I cut a smaller oval and painted that gold, and two layers of black card were cut on the Silhouette Cameo and layered together before the top layer was dampened and hammered loudly and long to create the texture. Once everything was dry, it was all glued together and two coats of thick gloss spray varnish completed the look. I’m impressed with the triple thick glaze spray – it really helps the hammered card look more like a hammered metal enamel finish.
In between planting out onion sets, garlic and shallots at the allotment, teaching scrapbook layouts, supervising a learner crocheting and making tea for the landscape gardeners, I slipped in an art journal page! It just goes to show that if you aim to do a page a day – you can. Just! I wanted to try my inverse silhouette technique with something other than black ink, and I think it worked really well 🙂