I’m delighted to be hosting John Bloodworth, The Gentleman Crafter, at the Studio on Tuesday 4th April, 10am to 3:30pm for a day of card making. John has spent the last 10 months touring the country in an attempt to do a workshop in every county, raising money for Mind mental health charity.
You can book your place here, and if you can’t make the day, I would urge you to support him by donating to his challenge here. It’s a fantastic charity endeavour, a great charity, and as someone with mental health issues (me) I’d really love for you to support and encourage John as he comes toward the end of his epic year.
For February’s Studio workshop, we’re going to be playing with adding dimension by using paperclay to create bas relief centrepieces for your cards/scrapbook pages and mixed media projects. Here’s an example I’ve just finished:
Not sure if I have got the balance right between the vase and the roses, and may be an ivory card for the sentiment might have worked better too. But that, after all, is what playing is all about…
If you’d like to come to the workshop on 4th February, there are spaces available. For more details, see my workshops page, or email me to book your space.
I’ve designed some hanging decorations for December’s workshop that slide onto a wooden split type peg. There are several designs, but this is one of the newer ones, and certainly the most complex to colour in… Using nothing more than five colours of ProMarker and a pencil, this candy cane tree decoration is ready to copy! There are spaces available, but please book in as soon as possible – I have a lot of cutting out to do…
I’ve also been playing with my Foldio360 bluetooth controlled turntable a little more. It’s recently had some new DSLR settings provided meaning that, finally, it remotely controls my proper camera for top notch pics, which I can then edit and stitch in Photoshop. Now to find a decent 360° viewer plug-in for WordPress so that I don’t have to save as a clunky animated GIF.
Over the last ten days or so, I’ve been playing with cast plaster panels. I used all the techniques I learnt at college to mould, soap, build clay dams, pour and pull a plaster of paris piece. Unfortunately, despite all that work, I completely forgot about overhangs. I ruined both the plaster mould and the panel as I attempted to separate the two with a screwdriver.
Undaunted, though slightly miffed, I went back to the drawing board and tried again. This time I pressed items into a clay slab and took a direct cast from that.
I’ve been busy over the last couple of days doing some crochet. I’ve been asked to lead a couple of workshops for beginner crocheters by Quorn Country Crafts over in Loughborough (starts Sat 12th September). Not wanting to nick someone else’s pattern, I’ve started from scratch, designing two projects I hope to see the attendees complete over the sessions.
The first is a crochet sampler panel, introducing slip stitch, chain stitch, double crochet, treble crochet, half treble popcorns and double treble crochet, working in front and back loops. And if a second panel were to be completed and joined with the filet crochet panel and then fringed, a handy scarf will be complete. All I have to do is write the pattern down now. [Worked in Hayfield Chunky With Wool on 6.5mm hook].
And for those that whizz ahead and do their homework, I’ll also be teaching crochet in the round, designing this snowflake tree decoration for the lessons. [Worked in Sirdar Ella Summer Luxe Cotton on 4mm hook]
There are still spaces available on the three courses (five sessions altogether) – book via the Quorn Country Crafts website, or give them a ring!
It’s the final day over at the Background Check class, aside from the wrap up day. It’s another design break to allow us to make cards using the background techniques we’ve learnt over the previous two days. I’ve snuck into the studio and made my Day 5 backgrounds into cards:
For these cards, they’ve only needed the addition of a little sparkle to accentuate elements on the background, with the sentiments done on my trusty Dymo machine. Again, that’s not been out for a while, and it was the letter press (get it?) technique that prompted its use. It’s been a great course, well worth the sign up fee – if only to have had the impetus to use some loved, but forgotten, techniques and refill my card drawer!