I promised to share my ‘now you see me, now you don’t’ technique for acrylic covers that didn’t quite get finished on air during my last Hochanda shows for That’s Crafty!. Below are some instructions along side the pics I took prior to the shows, and below those is a short video I have done to try and explain it a little more clearly! Apologies for the outside noises on the video – they’re wind chimes and a radiator warming up, if you’re wondering.
I was on Hochanda this week demonstrating techniques for using the acrylic covers effectively, for the A4 and A6 journals from That’s Crafty!. As always, there is too little time on air to fit in all my ideas, and only just enough time to fit in all I had planned! What follows below are photos and quick explanations of how to do your own. I really need to remember to take step-by-step photos as I make so that I can do a proper tutorial post! First is an unbroadcast cover, then the mirrored cover that didn’t go so right when rushed, and last for this post is the bubbling water effect shown in my first hour.
Following my TV appearance a fortnight ago, I do apologise for not getting a tutorial done earlier as I promised – I came down with a humdinger of a cold the week following the shows. Between the lethargy, the laryngitis and other stuff, I didn’t get to do what I wanted in The Studio. ‘Tis done now though, so grab a cup of your favourite beverage and start reading!
I thought I would show you how I created my stained glass window arch using the fabulous Arch Upright from That’s Crafty! since I didn’t get the chance to show it off on air. Mixing different types of ink (alcohol and Distress) and paint, and making full use of a Dinky Stencil, this window brings together a number of techniques to complete a mixed media mediaeval masterpiece!
I am live on Hochanda – the home of crafts, hobbies and art – available on Sky 663, Freeview 85 or Freesat 817, and on www.hochanda.com right now. With top tips for working with That’s Crafty! Surfaces, clock stacks and dreamcatchers, I’ll also be showcasing Pentart glass paints and Express Transfer medium.
I’ll be posting mini-tutorials for each of the projects over the next week. Don’t forget to check out the fabulous That’s Crafty! blog and the design team blogs (on the That’s Crafty! blog side bar) for more inspiration and projects.
Oh, I’m on at 11am as well, or you can catch up or watch again for the next 10 days over at Hochanda’s online TV Schedule – just set the date in the drop down list for 7th October and look for my shows at 8am and 11am.
I’m catching up on my Wanderlust course, and in week 6, we were introduced to origami wallets to hold small journal cards/zentangle cards in. To be honest, I didn’t like the style taught as it was open on all sides. So I dug around in Pinterest, and Google and developed this version. On the product list for the lesson was ‘lokta paper’ – which is quite fibrous, hardwearing and handmade in Nepal. So I searched for that too! I eventually found this wonderful vintage style paper that, to me, seems to be a cross between old leather and hand rolled tobacco leaves. The shop that sells it (PaperPod) was one flooded in York this winter, but still managed to get my order out to me in good time – fantastic since the shop is still drying out and all the (dry!) stock must be somewhere else.
I got a bit carried away and worked out all the sizes for my various journaling cards. All I need now is to monogram the fronts, label the bands, and get journaling! Note that the brown colour is a dye and moves about when wetted… I may seal it with a suitable varnish, or just let it do it’s thing as it is handled.
I’m still beavering away in the studio making items to sell at the church Christmas Fayre. Yesterday I used what I had learnt at Andy Skinner’s workshop I attended last weekend to create a faux rusted enamel frame and stand for this MDF chalkboard. As it happens, I actually prefer the back – some of the paint had seeped under and the ‘chips’ appear much more organic against the gesso undercoat:
It’s that time of year again. That time when you’ve designed this year’s Christmas card, and it’s time to make all 75 cards that are apparently required. So, a mass production line swings into action. Here are some tips:
- When heat embossing large numbers of images, consider getting a teppanyaki hot plate (top right). Cover with a heat resistant non-stick sheet, turn up to a temperature where the embossing powder just melts, and then as you stamp and add the powder to each piece, the previous piece is melting. Slide the piece off with the end of a paintbrush as the embossing powder finishes melting. Occasionally you may need to push the card to the hot surface (again with the end of a paintbrush) if it has curled up.
- Liquid Pearl dots love to cling and merge to the next one if wet. In my mass production line, I dotted in the same place on each holly sprig before leaving the set to dry. After a minimum of an hour, I did the next dot on each sprig, and left them again. Finally the third dot was added in the same fashion.
If your Liquid Pearls is misbehaving, warm it up on a radiator or in your pocket. It become less viscous, flowing better and forming nice domes.
- Assemble in batches – and take a break between batches to stretch, change your attention, and generally improve productivity. And prevent boredom!
As to the finished result – you’ll have to wait and see. Especially if you’re one of the lucky 75 that receives the real thing 😉